Yannick Dahan and Benjamin Rocher’s LA HORDE (THE HORDE, 2009) restages George Romero’s NIGHT OF THE LIVING DEAD (1968) in a Paris slum, in the manner of a site-specific adaptation of a Shakespeare play done in some industrialized area whose concrete bleakness is supposed to underscore the authorial themes of fate and futility. If that [...]Image may be NSFW.
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