There’s a moment from Arnold Laven’s THE MONSTER THAT CHALLENGED THE WORLD (1957) that has stayed with me since I first saw it some 35-40 years ago, in revival at my local drive-in, showcased with the Paul Landres two-fer of THE VAMPIRE (1957) and THE RETURN OF DRACULA (1958) — all projected in green. (Primarily so that [...]![]()
