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It’s Okay with Me: The Long Goodbye (1973)

As with many years past, I’m spending the transitional period between Christmas and New Year’s in Los Angeles — and as anyone else around here can tell you, it’s a calm but vaguely spooky environment....

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Strokes of Genius: Moulin Rouge (1952)

Biopics can be predictable and formulaic affairs. They often rely on a checklist of theatrical high points and low points, which restrict the scope of the drama and transform the rich panorama of life...

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Cooley High (1975): Coming of Age and the Lens of Nostalgia

In 1973, George Lucas, at the time known only to those few people who had seen THX-1138 (1971), unleashed the most successful coming of age film of all time, American Graffiti. Coming of age movies...

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New Beginnings: Lessons from Dodsworth (1936)

At the end of every year I, like many people, take stock of the events that took place throughout the previous months. I reassess the bad moments, trying to find ways that I could’ve avoided them or...

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Redemption and Sacrifice in the Cinema: Babette’s Feast (1987)

Each January 1st, as we ring in the new year and cast out the old, my mind always drifts to the idea of redemption. The new year is an easy marking point for a new beginning and as everyone knows,...

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On the Passing of Stars

Movie lovers of all generations are still reeling from the deaths of Carrie Fisher and her mother, Debbie Reynolds, within a day of each other. Photos, memes and personal testimonies flooded the...

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Potemkin Village Blues: Bienvenido Mr. Marshall! (1952)

Last week I listed Luis Garcia Berlanga’s Placido (1961) as one of my film discoveries of 2016. A devilishly funny account of Christmastime sanctimony, it was the first film I had seen by Berlanga....

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Stardust Memories (1980): Looking Back, Looking Ahead

There’s something really special about transitional films in a director’s filmography, and it almost always drives critics insane when those movies first open. Case in point: Stardust Memories (1980),...

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If Only You Believe in Miracles

The Man Who Could Work Miracles (1936), now streaming on The Criterion Channel of FilmStruck, is a lovely, albeit odd little comedy based on a short story written by H.G. Wells, directed by Lothar...

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Dark Days in the Warren: Watership Down (1978)

Richard Adams recently passed away at the advanced age of 96. At the much younger age of 52, but still advanced age for a first time novelist, he published what would become a classic of modern...

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A Tale of Two Hydes

Robert Louis Stevenson’s late-19th century novella The Strange Case of Dr. Jekyll and Mr. Hyde has been the inspiration for countless stage, film, radio and television adaptations and inspired works....

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GILLIAMESQUE

Gilliamesque is the title of the recent autobiography by Terry Gilliam (co-written by Ben Thompson). On the cover, the byline announces “A Pre-posthumous Memoir,” but when you open the book this...

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Resurrecting The Stunt Man (1980)

The theme of this semester’s campus film series that I co-direct with my fellow faculty member and partner-in-crime is “Movies About the Movies.” So, I was excited to discover that The Stunt Man...

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A Poet’s Life: Pyaasa (1957)

Guru Dutt is a tragic figure in Bollywood history, a tremendously talented actor and filmmaker who committed suicide at the age of 39. He was able to direct eight films before his passing, the most...

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Coming of Age with Valerie and Her Week of Wonders (1970)

I’ve been on something of an Eastern European tear lately with the release of the third (and final, for now) boxed set of “Martin Scorsese Presents” Polish classics, which had a tremendous run in New...

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Gaslight (1944) and the True Meaning of Fear

Gaslighting: The idea that a person will eventually become convinced of something through conditioning by an individual in a position of power and influence, despite being in direct opposition to what...

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I Really Like That Movie, I Just Don’t Care About It.

Back in the late 1970s, early 1980s, I had lots of free time, no responsibilities, and no bills on which to spend my hard earned minimum wage income, which could therefore go entirely to cigarettes...

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Take Time for Time Without Pity (’57)

Isn’t Michael Redgrave simply marvelous? No matter the role, Michael Redgrave brings a sort of respectability and class; he commands the screen. Take his brief performance as the unnamed, mysterious...

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When Context Matters: Nine Days of One Year (1962)

Ever heard of Nine Days of One Year (1962)? Chances are, the answer to that question is no. It was for me when TCM assigned me to write it up a couple of years ago. I tried to find some info online...

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Youssef Chahine: Communicating with Humanity

One of the best perks of going to college back in the day was the campus film series. Each weekend, I eagerly attended the movie of the week, which could be a Hollywood classic, a recent popular movie...

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